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“The Hills” by The Weeknd

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song info

    “The Hills” by The Weeknd (official video) is an indie R&B song.

    Song Title: The Hills (official video)
    Artist: the Weeknd
    Album: Beauty Behind the Madness
    Genre: PBR&B, alternative R&B, trap, urban, R&B, hip-hop, rhythmic
    Composer: Copyright © 2015 Ahmad Balshe, Carlo Montagnese, Emmanuel Nickerson, Abel Tesfaye
    Lead Vocals: The Weeknd (Abel Tesfaye)
    Producer: Illangelo, Mano
    Recorded: 2015
    Released: 27 May 2015
    Format: digital download
    Label: XO / Republic
    Number of listens: 20701

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    Summary quotation from Wikipedia:

    “The Hills” is a song by Canadian recording artist The Weeknd. The track was released on May 27, 2015 as the lead single from his second studio album, Beauty Behind the Madness (2015).

    “The Hills” received positive reviews for its return-to-form for the singer after his pop-oriented “Earned It”, and was a commercial success. In the singer’s native Canada, the song was a sleeper hit, peaking at number 9. In the United States, it reached number 1 on the Billboard Hot 100, replacing his own “Can’t Feel My Face”.

Critical reception

    “The Hills” received critical acclaim, with most reviewers praising The Weeknd’s return to form after his pop-oriented direction with “Earned It”. James Shotwell of Under the Gun wrote that the single fit well within Abel’s prior output, but that “Abel’s ability to create something altogether hypnotic regardless of production never ceases to amaze.” Brian Mansfield of USA Today noted that “when a song takes its hook from a horror film — Wes Craven’s 1977 cult classic The Hills Have Eyes — you know there’s bound to be trouble.” In an analytical piece for Pitchfork Media, Hannah Giorgis called “The Hills” “a dark, almost discordant meditation on lust, drugs, and fame” while noting that “to those familiar with his repertoire, the only twist in “The Hills” is how it ends: as the final chords fade, a woman’s voice, syrupy and sedate, closes with a lullaby of sorts—not in English, but in Amharic, the primary language of Ethiopia and the Weeknd’s own native tongue.” She goes on to trace the song’s melodic and lyrical origins to the Ethiopian diaspora. She continues, writing that “the familiarity of Tesfaye’s strained vibrato makes him the inheritor of musical legacies that Abyssinia has birthed for generations...” In a review for The New York Post, Hardeep Phull wrote that “The “Fifty Shades of Grey” fans who were turned on to [The] Weeknd (real name Abel Tesfaye) through his hit “Earned It” are in for a shock, because he is in brilliantly sinister form on his new track.” Continuing, Phull goes on to say that “When it comes to being a Don Juan with a dark side, this guy makes Christian Grey look like Ned Flanders.”

Commercial performance

    In the United States, where it was a sleeper hit, “The Hills” entered the Billboard Hot 100 at number 20 for the chart dated June 13, 2015; it was the week’s highest debut. Its debut was overwhelmingly powered by first-week digital download sales of 109,000 copies and 5.2 million domestic streams, aided by the simultaneous premiere of its music video on the single’s release date. The following week, the single declined by one position but earned the largest gain in streams on the chart. It has since become The Weeknd’s second number-one single in the United States on the issue dated October 3, 2015, replacing the singer’s own “Can’t Feel My Face”, becoming the first artist since Taylor Swift to replace themselves at the top spot. As of September 2015, “The Hills” has sold 1,269,000 copies in the country.

Music video

    The video begins showing a wrecked car that has flipped over. Abel is seen crawling out of the car before helping two other women get out. As the song progresses, Abel is seen walking by himself down a dark street, and around the middle of the song, the wrecked car explodes behind him. He occasionally is pushed repeatedly by one of the women from the car. At the end of the song, he enters an abandoned mansion, and goes upstairs to a room illuminated with red light, symbolizing the fact that he went to Hell for how he treats women in his songs. A man holding an apple sits waiting for him, next to the two women from the car, and the video cuts to black.

    The man from inside the mansion also appears in both the “Can’t Feel My Face” and “Tell Your Friends” music videos.

—from Wikipedia (the Wikipedia:Text of Creative Commons Attribution-ShareAlike 3.0 Unported License applies to Wikipedia’s block of text and possible accompanying picture, along with any alterations, transformations, and/or building upon Wikipedia’s original text that ThisSideofSanity.com applied to this block of text)

 
     

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